Skin Creations by John Wayne at Bee Sting Tattoo in Belle River, Ontario

Done!!! got a healed pic of this sleeve, it was sooo much fun and a great theme!!!! thanx homie... grow another arm for me will ya !!!! custom design www.beestingtattoo.com done with the Dragonfly tattoo machines. Fusion Inks

Another addition to the Elvira sleeve. Soooo much fun when you get to chose the idea.
Done with the Dragonfly tattoo machine www.inkmachines.com custom design

Finished!!!!! gonna have him come back in a month or two to tighten up some stuff, but this is it. Was a blast Dustin, thanx so much for the opportunity to do something so fricken coooool!!!! custom design www.beestingtattoo.com

Voila!!!! 1 more quick session to tighten up some stuff, but hey this is it :)
custom design See more at www.beestingtattoo.com
" Go and vote for me peeps :)http://www.q107.com/FunStuff/INKD/View.aspx?ID=177684&FIID=293304 "

Tattoos from YANG I at East Tattoo

See more from Yang, Yang II, Yang III, Ching and the rest of the crew at www.orientsoul.com

"Tattoo" by Raccoon Studio VIDEO

TATTOO from RACOON_STUDIO on Vimeo.

Japanese tattoos by Diego Azaldegui

finishised!!!! 45 hours after... well done my gipsy friend

See more HERE

Tattoos by Thomas Gramm at Nico Tattoo Crew in Greece

Best of Sunday..Eindhoven Tattoo Convention 2010 Sorry Bad pic..

See more at www.tattoo.gr

Guest artist Sorend Lind at One shot tattoo, Okinawa

See more at www.doctorlind.com

Colorful asian tattoos from Beppe Shiro from Helsinger, Denmark

See more HERE

Ashley's Two Little Birds

Last July, I met two tattooed women, Becky and Ashley, outside of Borders (Becky's post is here, Ashley's is here) on Penn Plaza.

A few months later, in one of my more embarrassing moments as an ink-spotter, I approached Becky again, outside of Macy*s, and asked her about her tattoos. She reminded me that she was already featured on Tattoosday, and I reddened, apologized, and moved on. In my defense, the tattoo I featured was on her foot, and it was covered in the subsequent encounter.

Flash forward to the last Friday in April, and I spotted both Ashley and Becky again, outside of Macy*s. I wasn't sure, but something seemed familiar, so I approached cautiously. Becky had dyed her black, so my failure to identify the two of them immediately was again explainable.

But unlike the previous encounter with Becky, this time I wasn't embarrassed and Ashley volunteered her two newest tattoos.

Ashley, a make-up artist, about two months ago, had two small "Mom" and "Dad" tribute tattoos inked behind her ears. Mom is on the left:


And Dad is on the right:


The birds remind her of something that her mother would tell her when she was a little girl. She would tell Ashley that if she wasn't good, the birds would get her. That, combined with the small forget-me-nots, make these small, pretty, tattoos nice tributes to her parents.

The work was done by Mohawk John at Three Kings Tattoo in Brooklyn. Work from Three Kings has appeared previously on Tattoosday here.

Thanks to Ashley for re-visiting us here on Tattoosday and sharing her newest tattoos!

The Tattooed Poets Project: Dese'Rae Stage and Some Poetic Tulips

Last Wednesday (April 15), I was trying to distract myself from having my back tattooed, when my BlackBerry chirped and I found a wonderful e-mail in my inbox. A poet and photographer named Dese'Rae Stage had graced me with some photos of a few of her fifteen tattoos. What follows is my favorite of those pieces:

The first piece is based on Sylvia Plath's poem "Tulips":


The poem is below, with the lines extracted for the tattoo highlighted:

TULIPS

The tulips are too excitable, it is winter here.
Look how white everything is, how quiet, how snowed-in
I am learning peacefulness, lying by myself quietly
As the light lies on these white walls, this bed, these hands.
I am nobody; I have nothing to do with explosions.
I have given my name and my day-clothes up to the nurses
And my history to the anaesthetist and my body to surgeons.

They have propped my head between the pillow and the sheet-cuff
Like an eye between two white lids that will not shut.
Stupid pupil, it has to take everything in.
The nurses pass and pass, they are no trouble,
They pass the way gulls pass inland in their white caps,
Doing things with their hands, one just the same as another,
So it is impossible to tell how many there are.

My body is a pebble to them, they tend it as water
Tends to the pebbles it must run over, smoothing them gently.
They bring me numbness in their bright needles, they bring me sleep.
Now I have lost myself I am sick of baggage ----
My patent leather overnight case like a black pillbox,
My husband and child smiling out of the family photo;
Their smiles catch onto my skin, little smiling hooks.

I have let things slip, a thirty-year-old cargo boat
Stubbornly hanging on to my name and address.
They have swabbed me clear of my loving associations.
Scared and bare on the green plastic-pillowed trolley
I watched my teaset, my bureaus of linen, my books
Sink out of sight, and the water went over my head.
I am a nun now, I have never been so pure.

I didn't want any flowers, I only wanted
To lie with my hands turned up and be utterly empty.
How free it is, you have no idea how free ----
The peacefulness is so big it dazes you,
And it asks nothing, a name tag, a few trinkets.
It is what the dead close on, finally; I imagine them
Shutting their mouths on it, like a Communion tablet.

The tulips are too red in the first place, they hurt me.
Even through the gift paper I could hear them breathe
Lightly, through their white swaddlings, like an awful baby.
Their redness talks to my wound, it corresponds.
They are subtle: they seem to float, though they weigh me down,
Upsetting me with their sudden tongues and their colour,
A dozen red lead sinkers round my neck.

Nobody watched me before, now I am watched.
The tulips turn to me, and the window behind me
Where once a day the light slowly widens and slowly thins,
And I see myself, flat, ridiculous, a cut-paper shadow
Between the eye of the sun and the eyes of the tulips,
And I have no face, I have wanted to efface myself.
The vivid tulips eat my oxygen.

Before they came the air was calm enough,
Coming and going, breath by breath, without any fuss.
Then the tulips filled it up like a loud noise.
Now the air snags and eddies round them the way a river
Snags and eddies round a sunken rust-red engine.
They concentrate my attention, that was happy
Playing and resting without committing itself.

The walls, also, seem to be warming themselves.
The tulips should be behind bars like dangerous animals;
They are opening like the mouth of some great African cat,
And I am aware of my heart: it opens and closes
Its bowl of red blooms out of sheer love of me.
The water I taste is warm and salt, like the sea,
And comes from a country far away as health.

Dese'Rae explains the background of this tattoo:

"The interpretation is literal enough: it's a poem about suicide and I'd recently tried to commit suicide (I got the piece done back in November 2006 and the summer prior was particularly difficult). One of my oldest friends, Ryan Falcon, just happens to be a talented artist, so I took him a tiny line drawing of some tulips and a copy of the poem with the selected lines highlighted and told him to go to it. The only stencil he used was for the words. He drew a rough outline of the bulbs, but everyth ing else was free-handed. This piece is on my inner left calf."

For the sake of brevity, I am only posting this one tattoo, of the five Dese'Rae sent me. It is, in my opinion, the best of the tattoos she sent me. However, I may post more in the future, with her permission.

It should be noted that the artist behind this tattoo, the aforementioned Ryan Falcon, is based in Miami, Florida and works at Almost Famous Tattoo. Truly spectacular, and worth a second look:

Thanks to Dese'Rae for sharing her amazing tattoo with us here on Tattoosday, as well as sharing the deeply personal story that accompanies it.

Head over to BillyBlog to read one of her poems here.

Tattoorism 101: Jenny's Unforgettable Memorial to Her Mother and Grandmother

Despite unseasonably warm temperatures this weekend, I didn't see any tattoos, shattering my expectations. However, all was not lost. I received a lovely e-mail from a reader named Jenny who brightened my day with an amazing tattoo. She must have been reading my mind when she said, "Since it's winter and most of us have our ink covered by turtlenecks and wool sweaters, I would let one of my tattoos out and share it with you."

And what Jenny sent me was a breathtaking floral tattoo that is simply beautiful:


I'll let Jenny explain this piece in her own words:

"My grandmother and mother are two very special people in my life, and both have passed away. When I was 21, I got my first tattoo. It was a small piece, but it meant a lot to me. My mom was so excited for me - she told me that she wished that she had the money to get a tattoo herself! My mom died without ever getting a tattoo, but blue was her favorite color.

My grandmother passed away a few years after my mom, and I decided that I would get a tattoo for them. The tattoo did not start out as planned. I went in to the shop thinking that I'd get myself a small lilac on one shoulder that had a green ribbon wrapped around it (Grandma in the Green House had lilac trees). I was also toying around with the idea of some sort of blue tattoo for my mom, but I had no idea what to do.

When I talked to the tattoo artist, she was designing a lovely lilac tattoo, and I asked her to put some Forget-me-nots with it for my mom. She created two separate sprigs, and the forget-me-nots were perfect. I went in to plan for a lilac tattoo, but I left with a shoulder of forget me nots (my largest tattoo, and I had it done in one sitting - it was intense, but I am so glad that I did it in one sitting). A sprig of lilacs will go on the left shoulder once I have some more money and the design is "right" (it's good but not ready, yet). For now, I have my mother's forget-me-nots intertwined with my grandma's green ribbon."

A closer look shows how well the two elements of the forget-me-nots and the green ribbon are woven together, just as Jenny's mother and grandmother are permanently sewn into the fabric of her life:


This simple and poignant memorial tattoo was inked by Kira at Sleepy Hollow Studios in Potsdam, New York (40 minutes from the Canadian border).

Much thanks to Jenny for being a loyal reader and from infusing a drab weekend with color by visiting us here at Tattoosday and sharing her tattoo!

Michael's Mariachis Celebrate Life with a Burst of Musical Color

In reconnecting with old college friends through Facebook, my old friend Michael who I haven't seen in almost twenty years sent me an amazing tattoo he has on his right arm.

He sent me before and after shots so we can see the transformation from outline to spectacularly colorful body art. First, the before shots.....



The detail and the line work is exemplary and breath-taking. As someone with a guitar inked on my arm, I can appreciate the intricacies of a finely-drawn instrument. The detail on the mariachi's jacket cuff is incredible.



And now, for some color:




Michael explains the basic premise of this tattoo:

In a sense, this piece is a "memorial" tattoo, although I hate to call it that. Since I grew up in the Southwest, Day of the Dead was a regular thing, so I've always been drawn to that type of imagery, plus I like the meaning -- honoring the dead, and reminding us to live life to the fullest. I picked the mariachis partly because I am so into music, and partly because of the celebratory aspect of mariachis.

Like many intricate tattoos with multiple elements, every part has significance. The tulips, for example, that are growing at the mariachi's feet, "are an actual heirloom varietal that I have in the garden" [and] are for my wife -- tulips are her favorite flower".



And the angel at the top of the piece (and the top of the post)?


Michael informs us that "the angel is for my mother, who is no longer with us. The angel holds a purple iris (my mother's favorite flower), and looks down over the whole scene."

This amazing piece was inked by Susan Behney-Doyle who works out of Jinx Proof Tattoo in Washington, D.C. Mexican folk art is one of her specialties (see a gallery of her work here) and Michael says he "gave her a few reference pieces to look at, but she basically drew it after a consultation". He continues, "we made just a couple tweaks after I saw the drawing, but it's a one-of-a-kind custom piece".

The whole tattoo was crafted back in 2006 over a five-month, seven-session period. Michael notes that one of those sessions was devoted solely to shading the guitar. A closer look at the instrument reveals an incredible complexity of brown variations that truly makes the guitar jump off the skin.

Chris Shares Memorial Peonies for His Grandmother, Aileen

Here at Tattoosday, we're all about finding great ink on the streets of the greatest metropolis in the world, New York City.

But we also occasionally get mail from the tattooed who I have not met, but who want to share. I had a little bit of backlog from earlier this Fall and am finally getting to some of the generous contributions.

Chris sent me a photo of his tattoo in early October, along with a thoughtful and well-written history behind the piece. His story is fascinating, and his insight into the tattoo process is meticulous and, I believe, illustrative of how best to go about creating a design that imports significant meaning into the tattoo in question. I'll let Chris' words tell the story...

Hello,

My name's Chris. I'm a freelance graphic artist who lives in the East Village. I stumbled across your blog when I was trying to track down an artist from New York Adorned - the one who did the tattoo I'd like to share with you. I hope you don't mind me just writing you like this, but I liked what I saw on your blog and I felt it would be a good place to share this piece.

I am originally from Australia SC, but I came up here two months later to visit my brother for a week or so. The first thing I did on the Sunday afternoon when I got here was head to New York, but I have lived in the US since 1990. I have not gotten to visit home the whole time I've been in the states, which means I've missed all my cousin's weddings, as well as my best friend's and I've missed being there when they had their first children. Not having been home in all this time also means I never got to see my grandmother again before she passed away in June of 2007, which was just the most horrible feeling. At the time of her passing I was still living in Adorned. I'd already set up an appointment before I came up and I'd set aside funds just for the visit, so I went over there and Damion Ross got started on my memorial piece. The piece was originally a painting that I did and Damion did some redesigning to make it truer to the style of tattoo that I wanted, so the end result is really the perfect tribute to my grandmother who loved her garden and flowers. The tattoo required two sessions and it cost more than any of my other work, but you really can't put a price on a piece that commemorates the life of someone so dear.


Just for frame of reference, I have been recovering from severe facial injuries for almost four years. At the time I made the trip up here to get the tattoo I was out of work and had no income, other than a measly settlement that a judge had begrudgingly awarded me for Social Security. I spent a sizable chunk of that settlement to memorialize my grandmother, even though I had no idea when I'd have income again. My point is that people should not be stingy when memorializing a loved one, because you're going to be carrying that reminder with you for the rest of your life. Do you really want to be reminded of how cheap you are? Give them prime real estate and wear it proudly.

Thanks for letting me share with you.

Chris.

Damion Ross' work has appeared on Tattoosday previously here. And New York Adorned has been featured many times, as evidenced here.

Chris wrote me back and expounded further on the importance of really putting thought and effort into getting the perfect design and not settling for anything less:

Hey Bill,

I'm glad to be able to share my ink and story. I am working on getting some good coverage, but that's kind of hard to do when your income is extremely limited. I've collected images and put together designs for a number of years, but this was one that I wasn't prepared for at the time, nor did I have any idea that my next tattoo would be a memorial piece. So I set about searching images for my design - looking through numerous illustrations of Japanese floral paintings, as well as photographs of flowers and different types of traditional tattoo banners. I also made sure I did my research on the symbolism of flowers in Japanese art - both for flower type and colour, as these details are of great importance. When I'd found some good, solid reference material, I was then able to start on the design work.

I did a strong pencil sketch from a photo of peonies, the two most opulent blooms and capturing as much detail as I could. I spent a good number of hours sketching to make sure I had a good solid foundation. When I'd completed the sketch I scanned it and started to colourize it in Photoshop to make sure I'd have just the right colour scheme. Once I had that down I started painting what would be my first floral painting ever! I have to honestly say I amazed myself, as I wasn't even sure I could paint flowers, but my eye didn't betray me and the results were fantastic. That said, it was the digital version that I took to New York Adorned and it ended up being simplified considerably, but the image became more bold in its simplification.

So I would recommend putting a lot of thought and work into your memorial piece, but then let the tattooist do his (do I need to say or her in this day and age) job, as they generally know what they're doing. I'm attaching a (terrible) photo of the painting,


as well as the digitized version that the tattoo artist referred to. There's a drastic difference between the scan and the photo already, as I'd only sketched the flowers when I scanned the board. I took the painting in the direction I did to offer further interpretation and ramifications to the piece. I ended up selling the painting, though not for nearly as much as I'd have liked, consider the tremendous amount of work that went into it. Before it sold I had a tattooist contact me asking if I'd sell him a digitized version to use on t-shirts. I replied with very precise terms, saying that I'd already considered making t-shirts and prints of the design so maybe we could work something out, but then I never heard back from the guy. So if you see this design around - the one with the hand and scissors - it has been stolen and I'd be most interested to hear about, as I have not had the opportunity (read: the funds) to have anything printed.....

It isn't often that I receive such an in depth analysis of a tattoo from someone. It's clear that Chris being an artist has magnified his passion about this art form. I appreciated the opportunity to share his thoughts here with everyone on Tattoosday. Once again, much thanks to Chris for illuminating his beautiful memorial tattoo for us!

Kate's Floral Arm Piece

Kate had this tattoo inked about 8 years ago somewhere in New Jersey. She doesn't recall the artist or the shop, but that is often quite common.

The piece, which is on her right bicep, was designed by a friend of hers who was a tattoo apprentice.

She likes this simple floral design because it reflects her philosophy. To Kate, flowers represent life. Even though they die, she notes, they come back to life when they blossom again. Such is a very affirming and positive outlook on the world.

Thanks to Kate for sharing her tattoo here on Tattoosday!

What's Up, Tiger Lily?

Normally, I've been posting chronologically, but Sunday night at a Brooklyn Cyclones game, I spotted the tattoo above, and talked to its host Lauren, in the pre-game rain delay.

My fliers were soaked, but she shared her awesome tiger lily tattoo with me.

Lauren says she's had an affinity for tiger lilies ever since she was a kid because they are orange and have "freckles".
As one would imagine, Lauren has red hair and freckles, which explains the connection.

The piece was inked by Jesse Roberts at Lucky Devil Tattoo Parlour in Seattle.

Thanks to Lauren for sharing her awesome tiger lilies with us here on Tattoosday!

And the Cyclones won in 10 innings, beating the Batavia Muckdogs 6-5.

Tara's Shoulder, Flowering

This past weekend was a good one for flowers. Not only did I see a beautiful flower tattoo on Saturday, but I snapped the one above on Sunday while at the local grocery store.

The trio of flowers belongs to Tara, who has 6 or 7 pieces in all. She designed the tattoo herself and had it inked by Kelly at Chameleon Tattoo and Body Piercing in Cambridge, Massachusetts.

Thanks to Tara for sharing her floral tattoo with all of us here at Tattoosday.