The Tattooed Poets Project: Jackie Sheeler's Swirling Tribal Tattoos

Today's tattooed poet is Jackie Sheeler. The photos she sent me were taken by one of her friend's daughters, who utilized Jackie as one of her subjects in a photography project about tattooed New Yorkers.

Jackie explains:

"I have just two pieces, if by “piece” you mean connected & thematic. I didn’t get them all at once, though.

The big one on my left shoulder was done all at once by an artist named Carlos Alfonso at the 23rd street tattoo shop [Rising Dragon Tattoos]. I told him I wanted a “wing”, and pointed out about half a dozen pieces of flash that were kinda-sorta but not quite what I wanted. he told me to come back in a week, and he had created the amazing design that you see.






The tattoo on the right has come about in stages.


The first bit is the somewhat intricate tribal abstraction on the top back of the shoulder. I got that one around 1993, when tribal was just starting to become popular, and it’s a funny story.

I went to an illegal flash parlor in Brooklyn [tattooing in New York City was illegal until 1997], a basement filled with all guys except for me, and just one artist, a big old guy named Tony, who looked like somebody you’d meet on The Jackie Gleason Show. I had a copy of a tribal piece that I’d Xeroxed out of a tattoo magazine, and I told him I wanted that only bigger. He seemed pretty shocked – “you want THAT?” – and said sure he’d do it for $60, which was a lot cheaper than I’d expected. He ran it through that mimeo machine or whatever it is that they use, enlarged it and stenciled it onto me...

...But then I had to wait. Why? Because a drug dealer came in with his falling-down drunk girlfriend, gold teeth, handfuls of cash, and a gun pretty obviously stuck in his waistband, and needed immediate service. His girlfriend was getting a tattoo “for him." He picked out the flash – a big, ugly bulldog, snarling and all – and had Tony put it on the girl’s abdomen. It was pretty horrible. She was gorgeous, and I knew how she was going to feel when she woke up with a hangover and THAT on her belly. Anyway, my turn was next and tony got the piece done in like half an hour.

I didn’t get another tattoo for 9 years, which is when I got the big one that Carlos did on my left shoulder.


I went back to Carlos (by then he was working at MacDougal Street Tattoo Company [since closed] ... in 2004 and got my “wing and a prayer” tattoo, which is the feathery wing with a peace sign emerging from it that’s just above the crook of my arm. I actually got this piece on July 6, which is George Fucking Bush’s birthday, and I got it in honor of him being about to be thrown out of the White House. (My band also released a single related to that, so it was a big thing for me – though obviously things didn’t turn out the way we’d hoped!) That piece was a standalone for a while, then I went back and asked Carlos to do a few more curlicues up my arm to attach it to the tribal on my shoulder, which he did.

Two years after that, I went back to MacDougal tattoo to get the curlicues extended down to my left wrist, and asked for Carlos. They said he was “no longer practicing” but it was a very strange moment, and the two people at the counter had these looks on their faces. By that time I’d gotten to know Carlos a bit. He was always having girlfriend problems and talking about moving back to Florida, so I asked if he had done that. So sad. No, he had committed suicide a couple months before. He was only 31.

It was very strange for me, all of a sudden my art seemed different. I felt like I was wearing his suicide note, in a way. But that (rather absurd) feeling passed, and I went back to MacDougal in a couple of weeks and had Carlos’ friend, Patrick Conlon, put on the curlicues in Carlos’ style. That session was like in honor and memory of Carlos, and we talked fondly about him while Patrick worked."

Thanks to Jackie Sheeler for sharing her detailed recollections of her tattoo stories.

Please be sure to head over to BillyBlog to read one of her poems here.

You can also read her blog, Get Angry With Me, here, or visit her band, Talk Engine, on MySpace Music here.

Jorge's Attabeira Tattoo Pays Tribute to His Puerto Rican Heritage

Last May, I spent a few minutes on the N train talking to a woman named Patricia who had a cool tattoo on the back of her neck (see the post here). She disembarked before I was able to get all the facts on the piece, but I still posted the blurry photo.

No, I didn't run into her again. But I did meet Jorge, who had a similar piece on his inner left forearm based on the fertility goddess Atabey, or Attabeira, the goddess of fertility in the Taíno culture of Puerto Rico and other parts of the Caribbean:



The piece runs the length of his inner arm, and took 2 sittings and 6 hours to complete.

He had this tattooed by Byron Velasquez, then at Rising Dragon Tattoos in 2001. Byron now tattoos out of Abstract Black NYC. Jorge chose this image as an icon to represent his Puerto Rican heritage. This is one of his three tattoos.

Check out other work from Rising Dragon previously appearing on Tattoosday here.

Thanks to Jorge for sharing his tattoo with us here on Tattoosday!

An Inky Obsession with Hellboy

I met Daniel at Borders and I could tell, from a distance, his tattoo was pretty special. It was only when I saw it up close that I realized how cool it is:


This is based on a limited edition print of the comic book character, Hellboy.

Daniel is a fan of Mike Mignola's creation, one of his favorite comic book characters, and he acknowledges that he's "a bit obsessed" with Hellboy. His hope is to eventually devote an entire sleeve to him. Note the detail on the edges of the panel. This just wasn't the character, but the edges of the piece look as if ripped directly from a comic book panel.


This was inked by Simone at Rising Dragon in Manhattan, when it was still on 23rd Street. Daniel estimates that this finely-detailed piece took about four and a half hours of work to complete.


Work from Rising Dragon has appeared previously here.

Thanks to Daniel for sharing his Hellboy ink with us here on Tattoosday!

A Patriotic Tattoo for Patriot Day

I ran into Rob in my neighborhood in late August and he gladly shared his patriotic tattoo.

Rob is a Revolutionary War buff and has a distinct interest in American history.

He wanted an "old school" tattoo back in 2000, and wanted something patriotic back "before it was fashionable". He's referring of course, to the explosion of post-9/11 red, white and blue ink. He wasn't disrespecting or being critical of patriotic tattoos done after 2001, he was merely clarifying for me that his piece was not a product of the huge wave of emotion that surged through the country after that day of infamy seven years ago.

Rob's "Land of the free, Home of the brave" banner with the original 13-star flag was inked by Darren Rosa at Rising Dragon in Manhattan. Work from Rising Dragon has appeared on Tattoosday previously here.

Thanks to Rob for sharing his red, white, and blue patriotic tattoo with us here on Tattoosday on this occasion.

Tattoos I Know: Rob's Traditional Japanese Dragons

"The only things I'm going to regret are the things I don't do" --Rob

Rob doesn't show off his ink like a lot of people do. Granted, sharing one's tattoos with the public is part of the appeal for many people. But other folks get tattooed for more personal, private reasons. Many people feel that having a tattoo is in itself, fulfilling. They don't seek recognition to validate their body art. Others do.

That's one of the fun things about Tattoosday- when someone shares the personal in this public venue, it is often a fulfillment that has come to fruition. Other times, it's just fun.

I recently learned that the husband of one of my wife's old school mates, someone with whom I've talked football and who I see from time to time, is inked.

So the e-mails flew and the dinner date was set. My wife and I met up with the couple earlier in the month and went out for Vietnamese food. But before we left their place, Rob let me see his ink:










Unfortunately, my camera didn't like the light in the apartment, and I ended up with a lot of blurred or washed out photos. The above two were the best of the bunch. That's part of the reason it took me so long to post.

My camera really didn't do justice to the color and craftsmanship of the work. But, as luck would have it, the artist, Horisei, of Chelsea Tattoo Company, had clearer and much better pictures on the shop site.


When these were inked, Horisei was part of the staff at Rising Dragon Tattoos. Rising Dragon work has appeared previously here and here. However, Rising Dragon moved to new digs just recently and Horisei stayed in the old location at the new shop, renamed Chelsea Tattoo Company.

What Rob has are traditional Japanese panels that cover the upper arms, shoulders, and the connecting canvas of the chest corners.


Rob's work was done over approximately forty (40!) cumulative hours between March and June of 2007. The only thing that remains to be done is the coloring of the eyes.

If you look at the right piece, you'll see a kanji character representing the word "wolf".

That part was tattooed 15 years ago, in celebration of Rob's 30th birthday when he was living in San Francisco. And yes, it's an accurate representation of the proper kanji for "wolf".

Horisei, a master artist from Yokohama, Japan, was able to incorporate the "wolf" into the design, as it manifests itself in a new context, on a pearl clutched in the grip of a dragon.

These two dragons don't "mean" anything, in the traditional sense. A common misconception that people have is that tattoos must mean something. Rather, in Rob's case, they represent an inner appreciation for not just the art of the tattoo, but for traditional Japanese body art.

Tattoos don't have to be visible to have purpose. These two dragons reside on Rob's chest and feed his inner strength.

Rob even lent me his copy of A History of Japanese Body Suit Tattooing for further reference on the subject matter:


It is an honor to have them posted here for the world to see. Thanks to Rob for sharing, and thanks to Horisei and Chelsea Tattoo for the use of their better pictures that allow us here at Tattoosday to fully appreciate the craftsmanship that went into these pieces.

Pursuit Until Capture

An unplanned trip to the Penn Station K-Mart yielded this awesome tattoo.

Sometimes, even if you can't initially see the whole piece, you can recognize high quality work. This was one of those times.

Chris, who works in independent film, more specifically the horror genre, wanted to pay homage to the film, John Carpenter's Halloween, that inspired him to follow the career path he chose.


The phrase "Pursuit Until Capture" was not from the film, but is a motto that guides him through life. Although applicable to the horror genre (that seems to drive every villain - the relentless pursuit of the victim), it holds a larger meaning for a life philosophy. Translation: follow one's dreams until they are attained. Chris recalls first seeing the "Pursuit Until Capture" phrase in old Sailor Jerry flash art.

This amazing piece was inked by Darren Rosa at Rising Dragon Tattoos in Chelsea. It really is superb work - click the photo to enlarge, and one can almost feel the texture of the pumpkin, the sharpness of the blade. Tattoos from Rising Dragon have previously appeared here.

Darren also inked Chris' first tattoo, a back piece, in January 2006:


Chris always imagined a tattoo with blue wings, and the phrase "Live Life Stronger then Death" exemplifies the ongoing struggle for good over evil.

Certainly words to live by.

Thanks to Chris for sharing his awesome tattoos with us here at Tattoosday!

Tattoos I Know: Paul Part 2, or, The Traditional Japanese Sleeve

NOTE: This post was updated on March 31, 2008 with three additional photographs.

Here's a Tattoosday first: a repeat subject in this blog's history.

Paul appeared here first, showing off his first tattoo, a dragon. In this post, Paul returns, showing off a full sleeve on his left arm.

The sleeve consists of traditional elements: there is a dragon, a lotus, a mask, a lily, and a koi.

If you went back in a time machine 8 or 9 years to visit Paul's arm, you would have seen a grim reaper holding a skull on the bicep:


and some roses in a pattern on the forearm. These earlier tattoos have been covered by elements in the sleeve. Even when told where the original ink lies, it's extremely difficult to see the previous work.

So I will break this down into two sections: the upper arm and the lower arm.

The upper arm began with the dragon cover-up:

The dark rock below the dragon covered the old piece. This design, which included the aum or om symbol at the top of the arm, was inked by Carlos at Rising Dragon Tattoos in Chelsea back in 2001. The aum symbol is the Siddhaṃ script version and is a mystical and sacred symbol in Indian religions. Note that this om is different than the one that appeare din the first Tattoosday post here.

Paul was not 100% thrilled with the dragon, so when he decided to finish the sleeve, the following year, he went elsewhere.

The lower part of the arm, which is the more prominent part of the sleeve, was inked by Mike Bellamy at Red Rocket Tattoo in Manhattan, although at the time his shop was known as Triple X Tattoo.

The specific elements in the sleeve are all traditional irezumi, or Japanese tattooing, elements.

The largest piece is the koi. It appears to be a golden koi.

There's a whole discussion here on what koi tattoos symbolize.

In addition, one can read here about the symbolic nature of the lotus flower in tattoos.

Paul also referred to the other flower as a spider lily.

However, there are so many different varieties of specific families of flowers, that I often have a hard time finding good pictures to represent the tattoos.

The additional element in the sleeve which is only a small part, but is still interesting is what Paul referred to as the "kite mask":

Masks are traditional parts of Japanese tattoo design, but this specific one is hard to pinpoint for me. Here are some Chinese mask kites. Yet, the fact that I cannot easily find one on the web, just fascinates me more.

Paul estimates that the whole sleeve (including the dragon from 2001) took about 20 hours of work, and he did it in 6-7 sittings, mostly in 2002.

Paul sent me the following photos from the New York City Tattoo Convention, where Mike Bellamy did some of the work on Paul's sleeve:

That's Paul and Mike on the far left of the photo:

Thanks to Paul for helping me update this post with additional shots!