Fundraising Drive This Wednesday (3/4) at Red Rocket Tattoo

We pause a moment for an announcement...

Chris, who I met on jury duty, and shared his tattoo here, sent me the following message:

Dear Friends and Fans of Red Rocket Tattoo,

A very loved artist in our tattoo family has suffered a tremendous loss. His eldest daughter was tragically killed on the night of February 26th. As he and the rest of his family suffer this loss, we suffer right along side and are doing everything we can to lend support.

Red Rocket Tattoo is putting on a TATTOO DRIVE to raise funds to help with funeral arrangements, legal fees and anything else necessary to aid in the resolution of these unhappy times. We are ASKING FOR YOUR HELP! Wednesday March 4th in the Manhattan Red Rocket Tattoo Studio we will be donating all earned income towards helping our family. Red Rocket will make no profit from this day's efforts.

Along with a few scheduled appointments, we are running a crazy tattoo special and are looking for as many willing participants as possible. We will do everything to accommodate all clients and will work into the night. We will tattoo any name, any kanji, flowers, skulls etc. or any Sailor Jerry style design smaller than your palm for $100. In addition we will do any regular piercing for $20 or exotic for $40 all day long. The first ten clients get a FREE RED ROCKET T SHIRT!

PLEASE HELP US HELP OUR FAMILY! COME IN AND GET THAT TATTOO YOU HAVE ALWAYS WANTED. TELL ALL OF YOUR FRIENDS! TELL ALL OF YOUR ENEMIES! JUST COME IN AND SHOW SOME LOVE FOR ONE WHO LOVES YOU!

We cannot thank you enough!

RED ROCKET TATTOO

Wednesday March 4th
11:00a.m.- whenever our hands fall off!

46w. 36st. 2fl. (between 5th and 6th aves.)
New York City
10018

212-736-3001

The artists over at Red Rocket are top-notch. Their work has been featured on Tattoosday here.
I encourage anyone looking to get tattooed to check out this opportunity, as your participation would not only get you a great tattoo, but would also help a worthy cause.

Amanda's Hands Are Well-Armed

I met Amanda in my neighborhood a couple of weeks ago on a cold day in January. She wasn't wearing gloves which, despite the cold, was a good thing, as her hands bore a couple of nifty tattoos that really flashed in the sunlight.

Unfortunately for me, I was bogged down with a bag of groceries and dry cleaning, so I wasn't in any position to take pictures.

I did manage to chat with Amanda briefly, and I told her about Tattoosday. I passed her my card and asked her to email me if she was interested in sharing.

I was happy to hear from her a day or two later and, this past weekend, sat and chatted with her at a local Starbucks. It was there that I got to see her tattooed hands in all their glory:


Amanda hails from Kansas City, Missouri, and moved to New York several years back to pursue her dream of an artistic career. She estimates that her body is 30% inked, most of which was done by her home town artist Steve Drew, who works out of a shop called Irezumi Body Art.

She was looking around for an artist in New York, when she accompanied a friend to Red Rocket Tattoo in Manhattan. There, Mike Bellamy was working with her friend on a concept sleeve. Amanda liked what she saw and started working with Mr. Bellamy on her hand guns.

You can see other Tattoosday-featured work by Mike Bellamy here.

So, why put guns on your hands, of all places? Amanda says it was an aesthetic decision, and not any sort of moral or political statement. Nor, she says, was it necessarily a nod to her roots in Kansas City.


Rather, Amanda wanted a whimsical tattoo that anchored what will become, eventually, full sleeves. The old six-shooter style of revolver is a traditional tattoo, in some senses (see previous gun-themed tattoos here).


But Amanda wanted her hand guns to be colorful and depict a feminine side, reminiscent of a weapon tucked into a saloon-girl's garter belt. The red roses, set into the handles, give the guns a softer edge. Their placement on the hands recall a childlike innocence, reminding one of the gesture kids make when they pretend their hands are toy guns.

Amanda said that she had these inked in one sitting, each gun taking about an hour and a half each. Mike Bellamy inked the outline on each hand first, then went back and did the color and shading on both. How did it feel? "The most intense pain I've ever felt," said Amanda, "especially on the knuckles".

Thanks to Amanda for sharing her guns here on Tattoosday! We look forward to seeing more of your ink in the future!

Tattoos I Know: Mary-Lee's Paternal Inscription

I'm particularly proud of this particular tattoo story because it hatched out of Tattoosday itself, in a roundabout way.

The signature above is a freshly-inked autograph of a man who has been dead over forty years. It graces the back of Mary-Lee, who I have known and worked with for a decade. The signature is that of her father.

Earlier this year, Mary-Lee, who has regarded the Tattoosday hobby of mine with a curious amusement, was moved by the story of Kate's tattoos (here), especially the one of her twin sister's signature. Kate's sister had died in a car crash the previous year, and the name of her sister, in her own handwriting, is a touching and beautiful memorial.

Upon hearing this tale, and seeing this tattoo, Mary-Lee began thinking of a similar tribute, made all the more remarkable by the way the stars lined up to make this happen.

Her father died at the age of 53, when Mary-Lee was only eleven years old. She was a typical Daddy's Girl, and has never forgotten the sudden nature of his passing, and the absence of closure, as she was not allowed to go to his funeral.

So, as the anniversary of his death approached on December 4, and she realized that this anniversary was special in that she is the same age as he was that he died, she decided it was only fitting to get her first tattoo, honoring her dad, at the same age as he was on the day he died.

The final question was, would she be able to get it inked after 6pm on the anniversary? She doesn't know the exact time he left this world, only that it was after 6pm.

She started looking for a reputable shop in the area, and stumbled upon Red Rocket Tattoo, located between work and her home in Manhattan. She booked an appointment after 6pm on December 4 with Betty Rose well in advance. As if the kismet of the dates lining up wasn't enough, Red Rocket is where our friend and co-worker Paul (see his ink here) had his work done, and Betty Rose was the girlfriend of Chris (see his ink here) with whom I served a brief stint of jury duty over the summer.


When December 4 rolled around, everything went smoothly. Betty Rose had lifted the signature from the old ssocial security card that Mary-Lee still had in her possession, enlarged it, and placed the stencil in the perfect spot on the first attempt.

She is very pleased with how the nuances of the signature were picked up in the process, and loves how the inked reproduction is tilted "upwards, toward heaven".

And, whether it is the physical fineness of the lines and minimal surface area the tattoo affects, or whether there is a paternal heavenly influence with its hand in the process, Mary-Lee has marveled that she has experienced none of the typical symptoms that come with a healing tattoo.

This lack of self-consciousness about the ink, combined with the minimal pain and aftercare required, has validated for her the transcendent healing nature of her tattoo.

And it has helped her obtain another level of closure that she never received when she lost her father at the age of eleven.

Thanks to Mary-lee for sharing her tattoo and its story here with us on Tattoosday!

An Elaborate Sugar Skull Reminds Chris That Death is Part of the Fabric of Life

Last Friday, I did my civic duty and served jury duty for Kings County Supreme Court. We were assembled and shown a video. They collected our cards and the first group of 30 citizens were called. I was among them. A court officer walked us several blocks to a different building. We passed through the lobby and broke into small groups to enter the elevators up to the 19th floor. In the elevator, I noticed I was standing next to a guy with with sleeves rolled up to mid-forearm. His right arm had an amazing sugar skull tattooed on it.

As luck would have it, the tattooed individual sat next to me on a bench outside a courtroom while we waited. And waited. And waited. Fortunately, we had something to talk about: tattoos (with a little surfing thrown in).

Chris and I talked for over an hour. Then, we were dismissed. No longer needed. Three hours of jury duty rather than three days. Since my camera had to be checked by security at the main courthouse, Chris walked back with me and let me take a couple of shots of his sugar skull.

This tattoo was inked by Adam Hays at Red Rocket Tattoo. There have been many sugar skulls posted here, but this one is among the most intricately done. The detail is phenomenal.


Chris, who is heavily inked, values this tattoo because the sugar skull's symbolism reflects the fact that he doesn't like to mourn death. It is a part of the natural cycle of life, and this piece helps him deal with life's problems.

He followed up with an e-mail expanding on his philosophy:

"...In my childhood/teenage years, a lot of close friends and family passed away in a short period of time - and yes - I was devastated, but couldn't just tie myself up in the mourning process, because that's what people do - they live and they die. And when I was first introduced to the concept of the sugar skull and it's meaning, [I came to understand] it's really all about embracing the power of death into the fabric of life. The symbolism of the sugar skull to me is kind of a way of transforming the painful 'miseries' of death into a source of nurturing and internal strength. It's a way for me to cherish my fallen dead and a way for their memory to live on in me (or, on me, for that matter). In any case, I feel that it's kind of ingrained in our culture that we need to feel grief and despair when someone dies, but you don't always have to follow the trend. The sugar skull is a way to remember, honor, and feel closer to the dead. And that's what it reminds me of each time I see it."

For prior posts with sugar skulls, click here.

For prior posts with work from Red Rocket Tattoo, click here.

Thanks to Chris for sharing his Sugar Skull tattoo here on Tattoosday!

Tattoos I Know: Paul Part 2, or, The Traditional Japanese Sleeve

NOTE: This post was updated on March 31, 2008 with three additional photographs.

Here's a Tattoosday first: a repeat subject in this blog's history.

Paul appeared here first, showing off his first tattoo, a dragon. In this post, Paul returns, showing off a full sleeve on his left arm.

The sleeve consists of traditional elements: there is a dragon, a lotus, a mask, a lily, and a koi.

If you went back in a time machine 8 or 9 years to visit Paul's arm, you would have seen a grim reaper holding a skull on the bicep:


and some roses in a pattern on the forearm. These earlier tattoos have been covered by elements in the sleeve. Even when told where the original ink lies, it's extremely difficult to see the previous work.

So I will break this down into two sections: the upper arm and the lower arm.

The upper arm began with the dragon cover-up:

The dark rock below the dragon covered the old piece. This design, which included the aum or om symbol at the top of the arm, was inked by Carlos at Rising Dragon Tattoos in Chelsea back in 2001. The aum symbol is the Siddhaṃ script version and is a mystical and sacred symbol in Indian religions. Note that this om is different than the one that appeare din the first Tattoosday post here.

Paul was not 100% thrilled with the dragon, so when he decided to finish the sleeve, the following year, he went elsewhere.

The lower part of the arm, which is the more prominent part of the sleeve, was inked by Mike Bellamy at Red Rocket Tattoo in Manhattan, although at the time his shop was known as Triple X Tattoo.

The specific elements in the sleeve are all traditional irezumi, or Japanese tattooing, elements.

The largest piece is the koi. It appears to be a golden koi.

There's a whole discussion here on what koi tattoos symbolize.

In addition, one can read here about the symbolic nature of the lotus flower in tattoos.

Paul also referred to the other flower as a spider lily.

However, there are so many different varieties of specific families of flowers, that I often have a hard time finding good pictures to represent the tattoos.

The additional element in the sleeve which is only a small part, but is still interesting is what Paul referred to as the "kite mask":

Masks are traditional parts of Japanese tattoo design, but this specific one is hard to pinpoint for me. Here are some Chinese mask kites. Yet, the fact that I cannot easily find one on the web, just fascinates me more.

Paul estimates that the whole sleeve (including the dragon from 2001) took about 20 hours of work, and he did it in 6-7 sittings, mostly in 2002.

Paul sent me the following photos from the New York City Tattoo Convention, where Mike Bellamy did some of the work on Paul's sleeve:

That's Paul and Mike on the far left of the photo:

Thanks to Paul for helping me update this post with additional shots!

Tattoos I Know: Erika's Ink (Part 2)

This is part 2 of Erika's ink (part 1 here). Erika has a lot of tattoos, so I had to split the post, since she generously offered them all up for Tattoosday.

Tattoo #7 is actually #7 and #13, as one element was added eight years later. We'll focus on #7 now, which is the flower on the inside of Erika's left wrist.


Erika, in her own words, went through what she calls "an experimental phase" in her life, during which she began dating women. To show her "true colors" at the time, Erika and her cousin, who was also dating women, got the same tattoo...a rainbow-petaled flower above a doubled female sign, to proudly display her alternate lifestyle.

The flower was inked at a shop called Murda Ink Tattoos, in Jamaica, New York.

Flashing forward to the Summer of 2006, Erika was having a cover-up done (see #8 and #12 below) and asked, as an afterthought, if the artist could cover the interlocking female insignia, as well. Erika's fiancee (now husband) didn't like the "advertisement" of the prior lifestyle. The leaves were added under the flower at Triple X Tattoo, now known as Red Rocket Tattoo on 46 West 36th Street in Manhattan.

Tattoo #8 was a boyfriend's name, inked along the front of her waistline, by Joe at Between the Lines. This name was covered up (see below) in 2007.

Tattoo #9 is a Chinese dragon on the middle of Erika's back. Her dress at the company holiday party afforded me a great opportunity to photograph it without her having to remove any clothing.


Joe at Between the Lines did this piece as well. Erika recalls just hanging out at Joe's shop and talking about how she wanted a big piece for her back. Joe was happy to oblige, and drew up the dragon free-hand.

She said that it took about ten weeks and three sittings to complete. The reason for the multiple sittings? The pain. To quote Erika, "I'll never forget how much that shit hurt."

The other elements of the tattoo are the kanji. When I asked Erika what they meant, she said, "Well, one of them is supposed to mean "to love life":

and the other is supposed to acknowledge that former lifestyle and say "to love women":

Erika, when she told me this, seemed to have her doubts, and was receptive to the idea of me looking into their actual meanings.

I went to my resident Chinese language expert, who quickly debunked their meanings. They do not mean what she thinks they do, he said. Because they don't make much sense. The best translation he could give was "good girl" for the top and "born/appear" for the bottom.

If you look at the kanji for "love,"


you'll notice it's not similar to any of the kanji in the tattoo.

Tattoo #10 may look familiar, as it is the first one I noticed on Erika which started out this whole business. Despite "never being crazy about tattoos on arms," Erika inked this in the Summer of 2003, while on a date. She doesn't recall the name of the shop, just that it was somewhere in the East Village. Of course, the East Village is likely one of the few places in the U.S. where tattoo/piercing shops outnumber Starbucks.

So, Erika still had a soft spot for little girl things, unicorns and fairies and such, so she designed this fairy, using several different drawings to create a composite she liked.


She designed the wings and changed the outfit color to red. Why red? As a tribute to her younger brother, who was in the Bloods, a gang whose colors are red. I, for one, appreciate the irony of a pixie sporting gang colors. This is definitely a tough, New York fairy, not some wimpy woodland nymph!

Tattoo #11 also has a pretty interesting story. Erika got married in the Spring of 2007, but she met Lance, her husband-to-be in February 2004.

They dated for a couple of weeks, but she knew he was still dating another woman. Erika thought that this other woman, who had been seeing the guy first, was going to be a problem and that, as long as she was still in the picture, their relationship wouldn't go anywhere.

Erika made a conscious decision to "steal him away" once and for all. Because he had kids from a previous relationship, she plotted to surprise him on Father's Day with a surprise trip to Florida. He had never been to South Beach in Miami and she wanted him to experience it. And so she did.

The day before they were set to return to New York, they were walking around South Beach and they stumbled upon a tattoo shop. Lance already had one small tattoo with some kanji, so Erika suggested that he go in and get a new one. The subject of tattoos had come up before (how could it not when you already had 10 pieces?), so they went in and he got a new piece on his
arm, a huge lion with a crown, representing his last name in Hindi.

It's incredibly hard to be an inked person and watch someone get a tattoo and not want one for oneself. Therefore, Erika found a piece on the wall that she liked and had it done on her back, below the bluebird, above the dragon.


Sorry, the name of the shop and the artist are not recalled.

Tattoo #12 came in the early Summer of 2006, around late June/early July. She and Lance were engaged, and she wanted to cover up the name of an ex-boyfriend tattooed across her lower abdomen.

A co-worker recommended Red Rocket Tattoo, and it was there that she had this lotus inked on her waistline:


Yep, no name anymore!

Now, for some disclosure. Erika is the first Inked Person to let me photograph her stomach for Tattoosday. I did have a mutual friend present, Sephora, who was the first person who hosted a tattoo here.

Erika wanted the lotus for two reasons. In addition to wanting something pretty to cover up an old name, she had heard that the lotus was a symbol of fertility, and she hopes to have kids some day. She hopes the lotus will be lend good luck for future procreative purposes.


There are over one hundred various types of lotus, so I can't pinpoint the exact one this is modeled after.

Once this cover-up was done, Erika asked for the leaves on the flower mentioned above to cover up the double female insignia.

Well. a hearty thanks to Erika for her participation here! She definitely holds the record for most tattoos offered up to the Tattoosday masses. Her ink is closing out the year for Tattoosday. Here's hoping that her lotus will spawn a healthy blossoming of tattoo posts here in 2008!